Monday, 1 May 2017
MAY DAY LABOUR DAY
May 1 is recognized internationally as International Workers Day or in some cases May Day. May 1 is also Labour Day in several countries including Argentina, Barbados, Bolivia, Brazil, China, France, Germany, Guyana, Suriname and Venezuela.
May 1 as International Workers Day is recognized as the commemoration of the 1886 Haymarket Massacre in Chicago. On May 1, 1886 workers in Chicago held a parade and rally with over 80,000 participants as part of a national strike for an eight-hour work day. According to the Massachusetts American Federation of Labor and Congress of Industrial Organizations (AFL-CIO): “Over 65,000 workers rallied again in Chicago on May 3rd. This demonstration, like those two days earlier, advocated for workers’ rights and was completely peaceful. Eventually a large group of police officers arrived at the location. They drew their weapons and charged the workers. As the strikers tried to flee the scene, police opened fire. The shots struck men and boys in the back while they attempted to escape. Six were killed in the brutal police action, and many suffered serious injuries. The next day 3,000 people came together in Chicago’s Haymarket Square to protest police violence. Several speakers voiced their disgust at the actions of Chicago’s police force. The demonstrators were not alone as 180 police officers were on the scene, standing in military formation. After several speakers, the police drew their batons and demanded that the demonstrators disperse immediately.” Stories abound that an agent provocateur planted in the workers ranks threw a bomb at the police which gave the police the excuse to attack the workers. When the dust cleared on the May 4 debacle there were 7 police and 4 workers dead while 70 workers and 60 police were wounded. Eventually 8 labour activists were put on trial for the “Haymarket Riots.” The trial lasted from June 21 to August 11, 1886 and 7 of the men were sentenced to death by hanging while one was sentenced to 15 years in prison. On November 10, 1887 the sentence of two of the men was commuted to life in prison, one of the remaining 5 condemned men committed suicide later that day and on November 11, 1887 the four remaining men were hanged. This is what is commemorated on May 1 as International Workers Day or Labour Day.
As a child growing up in Guyana, May 1 was more than Labour Day and a celebration for workers. There were Labour Day parades but that was not interesting for children. Dressed in our new, special for May Day clothes, we gleefully danced around the Maypole during May Day celebrations as we plaited the colourful ribbons attached to the Maypole. The crowning of the May queen was also a part of the celebration which was replicated across the country in various community centres. Surprisingly, I can remember feeling very proud and pleased looking at the Maypole after we finished plaiting as I saw the intricate pattern we had formed on the pole with the brightly coloured ribbons. The plaiting of the Maypole and the crowning of the May queen are part of the pagan spring rites from the British Isles that became part of British Guianese culture and subsequently Guyanese culture. So in Guyana May Day was also a day when the descendants of enslaved Africans and the descendants of indentured labourers imitated the antics of their former colonizers.
May Day in countries where it is observed as Labour Day, usually is a public holiday to honour workers and celebrate the social and economic achievements of the labour movement. Britain is said to have the oldest trade union movement in Europe, supposedly beginning in the 17th century with the organizing of workers in skilled trades like printing. The idea apparently gained momentum in the early 18th century with more categories of skilled workers, including tailors, shoemakers, weavers and cabinetmakers. Of course, none of these workers saw the irony of them fighting for improved working conditions and wages while the enslavement of Africans was a British institution. Similarly, in Canada, where the first trade union was founded by printers in Quebec City in 1827 White men organizing for better working conditions and wages did not see the irony of keeping a whole group of people working without pay. (Slavery was a Canadian institution until August 1, 1834.)
In the United States, where slavery was abolished on January 31, 1865 with the passing of the 13th Amendment to the United States Constitution, the Mechanics’ Union Trade Association organized skilled workers in 1827. White workers were so incensed at the idea of Africans competing with them for jobs that there were several incidents of African-Americans being lynched and their homes burned. One of the worst cases occurred over a three-day period from May 1 to May 3, 1866 in Memphis, Tennessee. In his 1988 book “Reconstruction: America’s Unfinished Revolution, 1863-1877” Eric Foner a White American historian wrote of the Memphis Massacre: “It is difficult to say which proved more threatening to local Whites – the large number of impoverished rural freedmen who thronged the streets in search of employment or the considerable group that managed to achieve modest economic success.” (Many of the African American victims were robbed of cash, watches, tools and furniture.) The many documented sources of this period of domestic terrorism against African-Americans emphasize that the victims of these crimes could not expect any help from the White, mostly Irish, police force whose members were, in many cases, also the perpetrators. On May 3, 1866 in the aftermath of the Memphis Massacre, it was documented that White Americans had raped and murdered many African-Americans, and destroyed four churches, 12 schools and 91 homes of African-Americans.
There are fewer recorded incidents of White Canadian workers murdering African Canadians and burning their homes. However, what they may have lacked in quantity, the Canadians made up for it in quality. Beginning on July 26, 1784, African Canadians in Shelburne, Nova Scotia were attacked and had their homes destroyed by their White neighbours. Those who managed to escape the 10-day reign of terror by fleeing to nearby Birchtown, were still the targets of attacks from the White mob, which continued the racially motivated attacks up to one month later. In his 1976 published book “The Black Loyalists: The Search for a Promised Land in Nova Scotia and Sierra Leone 1783-1870” White Canadian professor James W. St. G. Walker writes about the plight of African Canadian David George who fled to Birchtown: “Along with others of his colour, George sought refuge in Birchtown, but even here they were unsafe. While the force of the riot continued in Shelburne for at least 10 days, incursions into Birchtown were reported for up to one month.” The attacks were blamed on the inability of White men to compete with African Canadians in the job market as employers could exploit the Africans by paying them less than the White men were willing to take as wages. Whether in Canada or the U.S., these attacks were erroneously called race riots when White people attacked communities of Africans. These were not “riots” because one group with superior numbers and weapons was bent on eliminating another group based on skin colour. Competing for jobs may have been used as an excuse but these were racially motivated attacks on clearly outnumbered and vulnerable African communities. If the White people were interested in fighting for jobs, they should have recognized that who they needed to fight were those who could withhold employment or exploit their labour. The Africans in their midst were not in positions of power and were also being exploited by those who held power. The labour movement and worker solidarity has come a long way since those days when Africans in North America were brutalized and murdered because they dared to seek waged employment. Today, Africans in North America are members of unions alongside White co-workers.
Unfortunately although racialized workers pay the same union dues and should have the same access to services and leadership roles in their respective unions, this is not the case. It continues to be a struggle for Africans and other racialized people in the labour movement; hence the need for organizations such as Coalition of Black Trade Unionists (CBTU,) Asian Canadian Labour Alliance (ACLA) and Latin American Trade Unionists Coalition (LATUC.) While working in unionized workplaces may offer more security for racialized workers than in workplaces where workers are not organized, racialized workers sometimes do not have the same access to services from their unions as White workers do. Looking at the leadership of the labour movement, from the individual locals to the national bodies, it is quite obvious that we still have a long way to go for equity and equality in the labour movement. We need Employment Equity as much as we need Pay Equity!
Murphy Browne © May 1, 2017
AFRICAN GUYANESE PRE-WEDDING CELEBRATION KWE KWE
Jane engage and she tink nobady like she
Jane engage and she tink nobady like she
Run a kokah dam someting bruk away
Run a kokah dam
Jane engage and she walk the village wid style
O run a kokah dam someting bruk away
Run a kokah dam
From African Guyanese kwe-kwe song “Jane Engage”
Singing and dancing to kwe-kwe songs is an important part of some African Guyanese pre-wedding celebration. The songs are sung in the Guyanese Creolese language which is derived from several Central African and West African languages combined with the languages of the Europeans who enslaved Africans. The kwe-kwe pre-wedding celebration does not seem to have a corresponding ceremony in any present day African nation which suggests it was probably derived from a combination of African ceremonies. After all the Europeans who enslaved Africans went to great pains to ensure that they separated the Africans to make it difficult for communication in a common language. The Europeans were afraid that if there were many Africans from any particular nation on their plantation they would foment rebellion and the Europeans would be caught unprepared. However African Trinidadian professor Maureen Warner-Lewis in her 2002 published “Central Africa in the Caribbean: Transcending Time, Transforming Cultures” compares aspects of the Guyanese kwe-kwe to pre-wedding ceremonies in ancient Kongo (Congo.) Professor Warner-Lewis who is also the author of the 1999 published “Trinidad Yoruba: From Mother Tongue to Memory” where she traces remnants of the Yoruba language in Guyana and Trinidad lists the music and songs among the evidence that links kwe-kwe to the Kongo celebration.
The songs sung during the kwe-kwe are varied including instructions for the soon to be married couple, for the relatives and community to support the couple and also social commentary. The greeting song “Goo nite aye” and “Come to my kwe-kwe” invites the entire village to enjoy the celebration. “Nation ah whey yuh nation?” another popular kwe-kwe song urging identification with African nations is recognition of the scattering of Africans during slavery. The kwe-kwe opens with the pouring of libation by sprinkling liquor (Guyana white rum or high wine) on the floor, around the doors and windows. There is usually a leader who will “call out” the song to be sung and will signal the end by instructing “bato, bato.” The singers and dancers are usually accompanied by the music of drums, shak-shaks and/or the sounds of clapping and the rhythmic stamping of feet moving to the irresistible beat of voices raised in joyful celebration.
Kwe-kwe with its accompanying dance and songs is a unique ceremony derived from the experience of Africans who were enslaved by Europeans in what was once British Guiana. African American spirituals, gospel, blues, jazz, rock and roll, the African Central and South American cha cha, salsa, samba, mambo, meringue and rumba can also be traced to the African continent. During this last week of Black Music Month 2012 a search of the Internet shows that the contributions and influence of Africa and Africans to world music, art, dance and other cultural “norms” of today continues to be recognized and celebrated. Unfortunately celebrations like kwe-kwe are losing ground and the kwe-kwe celebration is not as popular as it used to be and there are predictions that it may become a museum display or reduced to occasional “cultural” performances. African traditions in Guyana seem to be fading from the memories of the people who should be practicing and upholding these traditions. If we forget who we are what will we become? The Honourable Marcus Mosiah Garvey considered the father of modern Pan-Africanism said: “A People without the knowledge of their past history, origin and culture is like a tree without roots.”
In the 1993 released movie “Sankofa” an African elder says to an African American fashion model who did not know that she was African: “Go back to the past, to the source.” African Guyanese need to heed that advice because many of us do not know much about our history. We do not know about the sacrifices that our ancestors made to purchase the land on which they established villages. The Village Movement is a mystery to many of us even some living in the villages that were bought with the blood, sweat and tears of formerly enslaved Africans after the August 1st 1834 Emancipation of Africans enslaved by the British. The villages on the Courentyne (Courtland, Fyrish and Gibraltar) where my father, his siblings, cousins and their parents were born are villages established by their ancestors who saved the pittance they were grudgingly paid by their former enslavers after Emancipation. In unity, groups of Africans purchased the land where they once laboured without pay and established villages on the length and breadth of the Guyana coastland in Berbice, Demerara and Essequibo. Today even the commemoration of August 1st Emancipation Day which was important during my childhood and youth in Guyana is now mostly ignored.
In Guyana kwe-kwe may have been reduced to a quaint celebration in a few African Guyanese villages but there is some good news. African Guyanese in Brooklyn, New York have been keeping the kwe-kwe alive with re-enactment of this African Guyanese pre-wedding celebration. On Friday August 31, 2012 as part of the annual Guyana Folk Festival in Brooklyn, New York there will be a “kwe-kwe-nite” as part of the festival. (Friday September 2, 2017 from 8:00pm – 1:00 am
at the St. Stephen’s Church Auditorium. 2806 Newkirk Avenue & E 28th St, Brooklyn NY 11226) Hopefully this initiative will encourage Guyanese at home and abroad to make kwe-kwe with its music and dance part of their educational and cultural experience.
Nation ah whey you nation?
Nation ah whey dem deh?
Nation ah whey awe nation?
Nation ah whey dem dey?
Murphy Browne © Sunday, July 29, 2012
Monday, May-01-17
Jane engage and she tink nobady like she
Run a kokah dam someting bruk away
Run a kokah dam
Jane engage and she walk the village wid style
O run a kokah dam someting bruk away
Run a kokah dam
From African Guyanese kwe-kwe song “Jane Engage”
Singing and dancing to kwe-kwe songs is an important part of some African Guyanese pre-wedding celebration. The songs are sung in the Guyanese Creolese language which is derived from several Central African and West African languages combined with the languages of the Europeans who enslaved Africans. The kwe-kwe pre-wedding celebration does not seem to have a corresponding ceremony in any present day African nation which suggests it was probably derived from a combination of African ceremonies. After all the Europeans who enslaved Africans went to great pains to ensure that they separated the Africans to make it difficult for communication in a common language. The Europeans were afraid that if there were many Africans from any particular nation on their plantation they would foment rebellion and the Europeans would be caught unprepared. However African Trinidadian professor Maureen Warner-Lewis in her 2002 published “Central Africa in the Caribbean: Transcending Time, Transforming Cultures” compares aspects of the Guyanese kwe-kwe to pre-wedding ceremonies in ancient Kongo (Congo.) Professor Warner-Lewis who is also the author of the 1999 published “Trinidad Yoruba: From Mother Tongue to Memory” where she traces remnants of the Yoruba language in Guyana and Trinidad lists the music and songs among the evidence that links kwe-kwe to the Kongo celebration.
The songs sung during the kwe-kwe are varied including instructions for the soon to be married couple, for the relatives and community to support the couple and also social commentary. The greeting song “Goo nite aye” and “Come to my kwe-kwe” invites the entire village to enjoy the celebration. “Nation ah whey yuh nation?” another popular kwe-kwe song urging identification with African nations is recognition of the scattering of Africans during slavery. The kwe-kwe opens with the pouring of libation by sprinkling liquor (Guyana white rum or high wine) on the floor, around the doors and windows. There is usually a leader who will “call out” the song to be sung and will signal the end by instructing “bato, bato.” The singers and dancers are usually accompanied by the music of drums, shak-shaks and/or the sounds of clapping and the rhythmic stamping of feet moving to the irresistible beat of voices raised in joyful celebration.
Kwe-kwe with its accompanying dance and songs is a unique ceremony derived from the experience of Africans who were enslaved by Europeans in what was once British Guiana. African American spirituals, gospel, blues, jazz, rock and roll, the African Central and South American cha cha, salsa, samba, mambo, meringue and rumba can also be traced to the African continent. During this last week of Black Music Month 2012 a search of the Internet shows that the contributions and influence of Africa and Africans to world music, art, dance and other cultural “norms” of today continues to be recognized and celebrated. Unfortunately celebrations like kwe-kwe are losing ground and the kwe-kwe celebration is not as popular as it used to be and there are predictions that it may become a museum display or reduced to occasional “cultural” performances. African traditions in Guyana seem to be fading from the memories of the people who should be practicing and upholding these traditions. If we forget who we are what will we become? The Honourable Marcus Mosiah Garvey considered the father of modern Pan-Africanism said: “A People without the knowledge of their past history, origin and culture is like a tree without roots.”
In the 1993 released movie “Sankofa” an African elder says to an African American fashion model who did not know that she was African: “Go back to the past, to the source.” African Guyanese need to heed that advice because many of us do not know much about our history. We do not know about the sacrifices that our ancestors made to purchase the land on which they established villages. The Village Movement is a mystery to many of us even some living in the villages that were bought with the blood, sweat and tears of formerly enslaved Africans after the August 1st 1834 Emancipation of Africans enslaved by the British. The villages on the Courentyne (Courtland, Fyrish and Gibraltar) where my father, his siblings, cousins and their parents were born are villages established by their ancestors who saved the pittance they were grudgingly paid by their former enslavers after Emancipation. In unity, groups of Africans purchased the land where they once laboured without pay and established villages on the length and breadth of the Guyana coastland in Berbice, Demerara and Essequibo. Today even the commemoration of August 1st Emancipation Day which was important during my childhood and youth in Guyana is now mostly ignored.
In Guyana kwe-kwe may have been reduced to a quaint celebration in a few African Guyanese villages but there is some good news. African Guyanese in Brooklyn, New York have been keeping the kwe-kwe alive with re-enactment of this African Guyanese pre-wedding celebration. On Friday August 31, 2012 as part of the annual Guyana Folk Festival in Brooklyn, New York there will be a “kwe-kwe-nite” as part of the festival. (Friday September 2, 2017 from 8:00pm – 1:00 am
at the St. Stephen’s Church Auditorium. 2806 Newkirk Avenue & E 28th St, Brooklyn NY 11226) Hopefully this initiative will encourage Guyanese at home and abroad to make kwe-kwe with its music and dance part of their educational and cultural experience.
Nation ah whey you nation?
Nation ah whey dem deh?
Nation ah whey awe nation?
Nation ah whey dem dey?
Murphy Browne © Sunday, July 29, 2012
Monday, May-01-17
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